10 Best Low Light Cameras in 2025: Ranked & Reviews

Is it difficult to choose a camera for sports that is good for shooting athletes movements?

Low light cameras are specialized DSLRs or/and mirrorless cameras that can capture photos in dark or poorly lit environments. They are incredibly useful for photographers who work with events or outdoor scenes and even photojournalists who need to capture images of news or events without the need to turn on their lights.

When choosing a low light camera, consider the sensor size, megapixel count, ISO range, autofocus, in-body image stabilization, and cutting-edge technology. By paying attention to these factors, you can ensure that you get the best possible results in low light conditions.

Type: Mirrorless | Megapixels: 12.1MP | ISO Range: 32- 409,600 | Stabilization: 5-axis sensor-shift

One of the biggest advantages of this Sony camera is its ability to capture high-quality images and videos in low light conditions. The copper wiring layer on the sensor also improves data transfer and processing speeds, resulting in fast and accurate autofocus and image processing.

Furthermore, this low light camera has a wide dynamic range, which retains detail in dark scenes and still looks sharp and vivid in bright conditions. The camera's high SNR (Signal-to-Noise ratio) value and good low-light sensitivity allow it to capture fine details and shadows with low-noise at very low ISO settings.

However, the Sony A7S III is not without its flaws. One major issue is its rolling shutter problem, which can be noticeable in certain situations, particularly for video. Additionally, the camera's battery life could be better and its price point may be a barrier for some photographers.

Type: DSLR | Megapixels: 45.7MP | ISO Range: 64-102,400 | Stabilization: No

As a photographer, I have had the opportunity to work with the Nikon D850, a low light camera, that boasts a wide ISO range and excellent dynamic range. One of the main advantages of this camera is its high-resolution sensor and its ability to balance speed, image quality, and low noise.

Another major feature of the D850 is its 153-point AF system, with 99 of these points being cross-type. This makes it highly effective in challenging situations, particularly for sports and action. It also offers quick and precise manual focus, which can be controlled through the rear dial or touchscreen.

However, there are some disadvantages to this camera for photography. For example, the electronic VR (vibration reduction) stabilization is only active when shooting movie mode, reducing shake and enhancing sharpness without requiring a lens with vibration reduction.

Additionally, the default JPEG processing produces exceptionally sharp images with fairly obvious sharpening, which may not be to everyone's taste.

Type: Mirrorless | Megapixels: 20MP | ISO Range: 100-204,800 | Stabilization: 5-axis sensor-shift

Firstly, the Canon EOS R6 is a fantastic low light camera that is perfect for photographers and videographers who demand high performance in challenging lighting conditions. It also has Movie Servo AF, which identifies and tracks moving subjects like no mirrorless camera before.

One of the advantages of the EOS R6 is its high dynamic range, which allows it to retain details even in extremely challenging lighting conditions. Additionally, the EOS R6 is able to use IBIS, which can correct up to 8 stops of camera shake.

However, I did notice a few disadvantages. For instance, the Raw images that the R6 produces tend to have less detail than those produced by other low light cameras, which may not be ideal for landscape photographers.

Type: Mirrorless | Megapixels: 40.2MP | ISO Range: 64-51,200 | Stabilization: 5-axis sensor-shift

The camera is one of the most capable low light cameras around, with its 40MP sensor being a standout feature. The X-Processor 5HR ensures snappy performance throughout, making it easy to use and capture beautiful images.

It also has subject-based computational AI which recognizes animals, birds, cars, motorcycles, and airplanes, with Fuji claiming it can track moving subjects with 1/50th of a second. The camera uses the same AF module as its predecessor, and so has a decent range of subject-specific AF recognition modes, including classic face/eye detection as well as animal, bird, automobile, and airplane spotting.

However, it does have some room for improvement, and I would like to see it improve even further in future firmware updates. The camera isn't a nighttime specialist, and it will often produce more noise in low light than a full-frame camera will, so it's not the ideal solution if you're going to be relying on it for astrophotography.

Type: DSLR | Megapixels: 25MP | ISO Range: 100-1,600000 | Stabilization: 5-axis shake reduction

As a photographer, I have had the opportunity to test out the Pentax K-3 Mark III camera for low light and I must say that I am impressed with its capabilities. The camera is great for taking professional images in difficult lighting conditions and has good sensor resolution and excellent dynamic range.

This entry-level DSLR is highly rugged and comes with weather-sealing to withstand dust, moisture and freezing temperatures, making it a great option for travel photographers or wildlife shooters. It also has a 4K video system, allowing you to record ultra-high-quality footage with a higher pixel count than previous models.

However, the camera does have its limitations. The buffer depths are shallow, meaning that the focus tracking is not as good, especially when you have fast moving subjects. The AF system is also not as responsive as mirrorless systems. Additionally, the camera is quite heavy and bulky, which may not be suitable for all photographers.

Type: Mirrorless | Megapixels: 10.2MP | ISO Range: 100-25,600 | Stabilization: No

I'm always looking for a camera that can deliver sharp, high-quality images with natural color accuracy, especially when shooting in low light conditions. And I have to say, the GH5S definitely delivers on that front.

As one of the best low light mirrorless cameras, Panasonic GH5S offers a Dual Native ISO technology that is a great feature that helps to keep noise levels in check at low sensitivity settings, which is particularly useful for shooting in dark environments without worrying about background noise.

However, there are a few limitations to this Panasonic camera that I have to mention. Firstly, the rolling shutter isn't as fast as some other cameras I've tested, which can be a problem when shooting action scenes.

Additionally, the GH5S doesn't offer image stabilization, so you'll need to use your lens with optical or digital IS, which can make things a bit more difficult for handheld shooting.

Type: Mirrorless | Megapixels: 24.5MP | ISO Range: 100-51,200 | Stabilization: 5-axis sensor-shift

First off, let me say that this camera is a game-changer when it comes to low light and long exposure photography. Its sensor delivers stunning high-resolution images with great dynamic range and flexible raw files.

The improved autofocus system of this low light camera is also a huge plus, making it much more accurate and efficient than the original Z6. And let's not forget the addition of dual EXPEED 6 processors, which make this camera faster and more responsive than its predecessor.

However, there are a few downsides to this mirrorless camera for travel. The autofocus system, while improved, still falls short of Canon and Sony's Dual Pixel systems in terms of low light performance and continuous AF speed.

While the Z6 II's menu system is organized well, it's not as intuitive as Canon's menus, which can be frustrating for some users.

Type: Mirrorless | Megapixels: 20MP | ISO Range: 100-25,600 | Stabilization: 5-axis sensor-shift

The E-M10 Mark IV is a great option of low light camera for those on a budget or looking to upgrade from their camera phones. It features a 20-megapixel Micro Four Thirds sensor and an improved autofocus system, which makes it a great option for low light situations.

It also has in-body image stabilization, which helps to reduce blur when using a Micro Four Thirds lens. I was really impressed with the camera's ability to capture rich colors and good sharpness, even with a smaller sensor.

While the E-M10 Mark IV has improved low light performance, it still may not be the best option for professional photographers who need the highest quality images possible. Additionally, while the camera has a truncated five-axis image stabilizer that can compensate for up to 4.5 EV of movement, it may not be as effective as other camera models.

Type: Mirrorless | Megapixels: 24.2MP | ISO Range: 100-25,600 | Stabilization: 5-axis SteadyShot INSIDE

As a photographer who values versatility and excellent low light performance, I have had the opportunity to use the Sony A9 II and I must say it is a great choice for portrait and wedding photographers who want a camera that can handle challenging conditions.

The A9 II has many advantages over the A9, such as a better AF system, real-time tracking, and increased sensitivity. It also has more advanced image processing and the latest sensor technology.

One of the main advantages of this low light mirrorless camera is its fast and accurate autofocus, which is essential for professional photographers. The hybrid AF system works well with many lenses, but it does require that you keep your subject in focus at all times.

However, the A9 II is a very complicated camera, and it can take a lot of time and effort to familiarize yourself with all the dials, buttons, and menu options. It is not a camera for beginners or those who are not willing to commit to learning how to use it properly.

Type: DSLR | Megapixels: 30.4MP | ISO Range: 50-102,400 | Stabilization: No

One of the biggest advantages of this Canon camera is its new sensor, which offers an impressive 8-megapixel resolution increase over its predecessor. This means that you can capture very detailed and well-saturated images that are ideal for post-processing.

As DSLR camera for low light, the Mark IV's sensor is also able to deliver better results at higher ISO settings than its predecessor, thanks to the new DIGIC 6+ image processor which is able to boost speed and performance, as well as offering better noise reduction at high ISO.

However, the low light performance of the Canon 5D Mark IV is still not quite up there with the competition, such as the Nikon D850 and Sony a7S III. This is especially noticeable when shooting at high ISO, where it can be difficult to capture details in dimly lit scenes.

High ISO range, noise control, large sensors, bright lenses, excellent autofocus and image stabilization are key features that characterize the best low light camera. However, it should be said that cameras with all the above-mentioned qualities may differ from each other. As a result, these specifications can influence your decisions while choosing the right model.

ISO. The amount of light your sensor is capable of capturing is measured by ISO. Making the ISO value higher, you can increase the shutter speed. This feature is useful if you want to take pictures of objects while they are moving or shoot without a tripod.

At the same time, we must not to forget that shooting at high ISO has its own difficulties and disadvantages.

First of all, this is a large amount of noise that you get as a result of increased ISO rates. Therefore, if this criterion is important to you, you should choose models that have good performance with higher values. The most optimal indicator for shooting is 1600 - 3200 ISO. However, if you have to shoot in low light conditions, then you need a high ISO camera.

In this case, ISO settings up to 6400 will produce impressive results. By adjusting the low light camera this way, you make it sensitive enough for even the small amount of lighting available. Photos look sharp and clear. The amount of noise is small, and you can reduce it during further picture editing.

Sensor size. The ability of full-frame cameras to capture more light is especially valuable when your shooting takes place under dim lighting. As a rule, this type of camera is better suited for poor lighting conditions than a Micro Four Thirds (MFT) camera or a framing sensor (APS-C).

Image stabilization system. Thanks to this technology, you can avoid blurred areas and get sharp photos. This system is affected by the sensors that respond to the slightest movement of an object and then change the position of the lens glass or camera sensor.

Thus, the image stabilization system ensures the elimination of blur caused by unexpected movements of the camera or object.

Lenses. Choosing the best low light camera, you must not forget about the appropriate lens. Selecting a lens, you should pay attention to the aperture value. The brightest models have f/3 or a lower number. If you are shooting in low light conditions, then to get high-quality images, you must have a bright lens at your disposal.

Noise control. The amount of noise increases with increased ISO values. It is important to note that noise control impacts sensor and aperture value. If we talk about DSLR low light cameras, then they have a wider aperture, and full-frame models typically have a larger sensor.

Autofocus. In fact, autofocus in all dynamic range cameras is designed for taking pictures under poor lighting. Thus, when you take a photo, the lens works without lag. As a rule, the best low light cameras that have a wider range of ISO are equipped with better autofocus. Regarding this aspect, the type of camera does not make much difference.