5 Best Audio Interfaces under $50: Does It Improve Quality?

When I was in search of a budget-friendly interface that I could use for music and vocal recording, I was pleasantly surprised that even when looking for the audio interface under 50 bucks, I could still find several solid models for my personal projects.

I tried out five top-rated audio interfaces under $50 and summarized my test results below. Check out my overview and pick the optimal option to improve the quality of your recordings while monitoring them in real-time.

To ensure my list features only high-quality audio interfaces under 50 dollars, I browsed through dozens of available options, studying their characteristics, strengths, weaknesses, and user reviews to put together a rundown of the most cost-efficient and dependable models on the market.

I tested each product while evaluating its gain range, preamp quality, connectivity options, and other key parameters. I gauged the performance of each audio interface and provided a brief overview of the most impressive models below.

Simultaneous I/O: 2 x 2 | Protocol: USB 1.1 | A/D resolution: 24-bit/48kHz

The M-Audio M-Track Solo USB audio interface provides 2-channel audio recording with 48 kHz resolution in a convenient and compact format that's perfect for making music on virtually any Mac, PC, or iOS platform. This all-in-one interface is perfect for inputting any kind of sound source such as vocals, guitar, and even bass.

This audio interface for Cubase also offers a preamp section with a rotary control for added effect and represents a one-knob design with touch-sensitive buttons for controlling the main monitor.

It comes with three input signal levels and has a dedicated mixer section for even more functionality. This versatile device runs on a Single Cylinder Lead / Lead amp controller board that is designed for optimal performance.

Simultaneous I/O: 2 x 2 | Protocol: USB 2.0 | A/D resolution: 24-bit/48kHz

Similar to the other products Behringer offers in this price segment, the UMC22 is all about cost efficiency. It doesn’t provide premium-class audio or any advanced features. However, you still get to enjoy a reliable audio interface that offers solid performance, especially at such a low cost.

Preparing the UMC22 is simple. You merely need to connect this audio interface for FL Studio to your PC, headphones, or microphone/instrument. The drivers are also easy to find and are competently made.

I think this might be the best audio interface under 50 USD if you need solid equipment for recording a podcast or some of your first songs as an aspiring musician.

Simultaneous I/O: 1 x 1 | Protocol: USB 2.0 | A/D resolution: 24-bit/48kHz

The TC Helicon GO GUITAR audio interface is a plug-and-play device designed for connecting with the TC Helix and other computer-based interfaces. It’s used for both creating digital and analog signals as well as inputting sound into the computer system. The TC Helicon is widely popular because it is easy to use and inexpensive in comparison to other types of interfaces.

This audio interface for Ableton also has an auto shut-off feature, low noise generation, and a distortion-free output. I like that this device also has a compact size and is suitable for both single and double-hung computers. Another benefit of using this interface is that there are no delays that one experiences when converting from analog signal to digital or vice versa.

Simultaneous I/O: 2 x 2 | Protocol: USB 2.0 | A/D resolution: 16-bit/48kHz

The Midiplus Audiolink is a budget-friendly and small audio interface that is perfectly suited for beginners and home studios. When I was testing this product, I noticed that it provides clear and rich audio, especially for its cost. This audio interface for Logic Pro X can be used for both mics and instruments, making it suitable for a variety of recording scenarios.

Sadly, the plastic material used for the case makes it less sturdy than more expensive options, and the provided drivers aren’t equally supported by all operating systems.

Simultaneous I/O: 2 x 2 | Protocol: USB 2.0 | A/D resolution: 16-bit/48kHz

The Midiplus SMARTFACE has built-in recording and monitoring capabilities, thanks to the onboard mixer that lets the user monitor all incoming instruments and vocals in real-time. It has knobs for activating the signal path of certain controls so that the user can change the mix from one track to another.

The onboard virtual rack makes it easy to arrange and handle various plugins like Serato, Digital Performer, Nuendo, Pro Tools LE, and Reason. This audio interface for Reaper also has knobs for controlling the volume and pan levels of the main instrument.

I compared the top 3 audio interfaces and I can say that they are all suitable for personal use. These audio interfaces for Audacity helped me record a couple of podcasts. However, for professional recording, I suggest picking some more advanced audio interfaces.

M-Audio M-Track Solo provides solid performance and is an especially great fit for home studios and beginners. Its intuitive controls and straightforward layout are fantastic, but the plastic casing and noticeable noise at high gain set it back a bit.

Behringer U-Phoria UMC22 might be the best audio interface under 50 USD due to its terrific audio quality, minimal latency, and durable build, ensuring it’s a fantastic option if you’re looking for a cost-efficient model that offers a great bang for your buck. However, you might have to pay a little bit more than $50 if you don’t get it at a discount.

TC Helicon GO GUITAR offers fantastic portability and user-friendliness, particularly for mobile recording setups, but it doesn’t have the advanced functionality and versatility of the previous two options, which is why it’s more suited for quick, on-the-fly recording.

My tests show that you can find several high-quality options in the under $50 price range. For example, experts advise paying attention to PreSonus's Class A preamps, M‑Audio, and their 'Crystal' preamps, along with the JFET input on the Audient EVO 4.

Keep in mind that manufacturers always state high dynamic ranges and low noise floors in their product specifications. However, when it comes to real-life usage, the output barely differs from model to model.

The amount of gain available on the mic preamps is a key feature that you should take into account when choosing the best audio interface for Sonar or other programs. Clean gain like on the SSL 2 and 2+ is great for recording quiet sources. On the other hand, they offer fewer options for recording louder sources like guitar amps.

Additionally, you should check the bit depth and sample rate. Although some users think that high sample rates are not so important, we recommend choosing 24‑bit recording options.

When choosing the best audio interface for Shure SM7B or other mics, you should consider the accessibility of the gain knobs for the mic inputs, the output level controls, and the panel size. It can be quite inconvenient if you are uncomfortable holding a musical instrument and trying to adjust something on the audio interface.