Affordable and high-quality audio interfaces for Logic Pro X.
The audio interface you use has a tremendous effect on your production. That’s why it’s the first equipment part you should look for when starting your production venture even before purchasing a quality studio headset. Even though the majority of interfaces offer simple integration with Logic, some models offer superior performance than others. The difference between them comes down to both software and hardware specifications that might puzzle an uninitiated user. If you need help finding the best audio interface for Logic Pro X, then this article will be of great use to you.
The market is full of seemingly fantastic options, but how can one determine which product is the best choice for their specific purposes? This rundown aims to help you solve that dilemma while the provided buyer’s guide will ensure you’ll think about all the essential aspects and pick the best audio interface for Logic Pro X possible.
Connectivity: USB Type-C and USB Type-A | Max Sample Rate: 192kHz | Resolution: 24-Bit
The PreSonus Studio 24c is a professional-level audio interface designed for professional audio engineers and mixing consoles. Using both the USB Type-C and USB Type-A interface for the mic and mixer sections of the system, the interface gives you complete control over audio processing. Type-C port can be used for connecting your computer to the mixer and to connect external hardware devices, such as digital audio samplers.
This audio interface for Logic Pro X incorporates a high-quality headphone output with an optional monitor output, for the front panel user. This audio interface offers a variety of functions, including level control for the mic input, and a unique feature lets you monitor two input and two output channels at the same time. This professional audio interface is a great investment for any audio engineer or sound artist who needs the most advanced sound equipment for their jobs.
Connectivity: USB Type-C | Max Sample Rate: 96kHz | Resolution: 24-Bit
Compact M-Audio Air|Hub interface is designed for audio monitoring and is equipped with a USB hub. It supports sampling rates up to 24-bit 96 kHz and can be used as an audio interface for audio output when connected to a PC. The device has three USB ports to which users can connect MIDI controllers and other devices.
The controls include a general gain control and a separate headphone volume control. In addition to the hub ports, the new product has 2 TRS outputs for acoustics, a headphone output and a USB-C port. The Air|Hub is powered by an external adapter. It comes with Xpand!2 AIR Music, Pro Tools First, and a set of virtual instruments.
Connectivity: USB Type-C | Max Sample Rate: 192kHz | Resolution: 24-Bit
The Focusrite Scarlett 8i6 features two 56dB gain preamps that have switchable Air mode, simulating the sound of the renowned ISA transformer preamps from the manufacturer's consoles. The sound card has direct stereo monitoring function, protection against clicks on outputs when connecting equipment and 2 additional line inputs.
The front panel of the interface contains gain controls, a 48V phantom power button, a master volume control, and two separate controls for headphones. The audio interface is powered from an external adapter.
Connectivity: USB Type-C and Type-A | Max Sample Rate: 192kHz | Resolution: 24-Bit
All Air 192/4 controls are well-thought-out and close at hand. All regulators are analog only. There is a hardware monitoring of inputs. A headphone amplifier of 30 mW per channel is not the most powerful, but still not bad for a budget interface.
The guitar input is not combined with others and is located on the front panel for easy connection. The M-Audio Air 192/4 has everything for personal recording or for bloggers. The XLR input with +48V phantom power can also be used as a TRS line input if you need to connect, for example, a synthesizer.
Connectivity: USB Type-A | Max Sample Rate: 48kHz | Resolution: 24-Bit
The budget M-Audio M-Track Duo is designed for small, entry-level studios. The sound card has quality converters and is equipped with two low noise Crystal preamps offering up to 54 dB of amplification. The model supports sampling rates up to 24-bit 48 kHz and allows you to use mono/stereo monitoring modes without audio signal delay.
The M-Track Duo's controls include channel gain controls, volume knobs for headphones and general outputs, and Direct/Phantom/Line switches. For connection there are: headphone output, 2 XLR / TRS inputs, 2 TRS outputs and a USB port. The sound card comes with Pro Tools, First M-Audio Edition, MPC Beats, Eleven Lite, Xpand!2.
Connectivity: USB Type-B | Max Sample Rate: 96kHz | Resolution: 24-Bit
The body of the device is completely metal, which makes the AudioBox USB 96 suitable for everyday use and for field recording. The interface has two high-quality class A microphone preamps. The model is positioned for studio and mobile work with a laptop. The model comes with the proprietary PreSonus Studio One Artist recording software for Windows and iMac, which provides many ready-made sound processing plug-ins.
The front panel features two combo TSR/XLR mic/guitar inputs, a +48V phantom power button for condenser microphones, channel gain controls with clipping indicators, hardware input monitoring, separate volume controls for headphones and line-out monitors. A big plus for musicians is the dedicated MIDI connectors. The device is powered from the USB, the cable is included. Complete separate drivers for PC and Mac are provided for all the latest OS versions. The manufacturer develops drivers independently.
Connectivity: USB Type-C and Type-A | Max Sample Rate: 192kHz | Resolution: 24-Bit
The M-Audio 192/14 sound card is designed for budget/home studios and comes with a large software package. The model offers wide switching capabilities, improved technical characteristics and has four proprietary Crystal preamps with gain of up to 62 dB.
The device supports sampling rates up to 24-bit 192 Hz and provides class-leading audio latency. The audio interface supports simultaneous recording of up to 8 channels and has the function of direct signal monitoring with output to different outs.
Connectivity: USB Type-C | Max Sample Rate: 192kHz | Resolution: 24-Bit
The Focusrite Scarlett 2i2 audio interface for Logic Pro X comes with an extremely high standard for a computer device. The model has a USB type-C port, which allows use of an external audio gear, like speakers or headphones, through the interface.
The Focusrite's interface with its mic preamp is particularly suited to studio use because it is so easy to route two channels of monitor input via a Focusrite Universal Control Bus (UCC). There are also knobs for setting the level of the individual channels as well as options for assigning levels to the frequencies. The Focusrite Scarlett 2i2 is a fine audio interface for recording live sessions. A digital input port lets you connect a guitar through the front panel, while a USB port allows you to use the Scarlett to run different programs at the same time, including recording.
| IMAGE | NAME | FEATURES | |
|---|---|---|---|
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PreSonus Studio 24c
Our Choice
|
CHECK PRICE → | |
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M-Audio AIR/HUB
For studio
|
CHECK PRICE → | |
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Focusrite Scarlett 8i6
Good sound
|
CHECK PRICE → |
XLR inputs: If you want to record audio via a microphone, then getting an interface with an XLR input becomes a mandatory requirement.
Instrument line inputs: Such ports offer terrific impedance and are ideal for passive instrument pickups.
Balanced stereo output: This output is essential for attaching a balanced cable to your setup.
Headphone output: This port should come with enough power to ensure optimal headphone performance and sound quality.
USB: The biggest benefit of a USB port is that you’ll find hundreds of different interfaces compatible with this connection type. It’s particularly useful for organizing recording sessions on your laptop when traveling.
Firewire: This type provides superior data transfer speed and stability. It’s also handy for recording several channels simultaneously. Sadly, the number of interfaces that support this connection type is rather limited.
Thunderbolt: Such connectivity allows you to enjoy fast speeds and minimal latency, hence why it’s quickly becoming the standard choice for audio interfaces. The third version of this technology offers twice the speed of Thunderbolt 2 and is eight times faster than USB3.0.
USB: This type is often called Retail-USB or USB+ Power, as it allows you to power the audio interface using a USB host rather than having to rely on an external power adapter.
External: Such plug-in power units resemble the ones you’d find for a laptop. They are designed for audio interfaces that lack the internal components required for receiving the power straight from the source.
Phantom Power: This type relies on an “invisible” power source, as both the power and the sound signal use a single cord to connect to the interface. You can recognize such a power supply by the P48 switch on the interface, with 48 standing for 48V.
