What is the best dynamic microphones at a modest price in 2021?
For those engaged in the music industry, buying the best dynamic microphone is a very important step. A dynamic microphone is sure to amaze you with its capabilities. In this article, we will talk specifically about dynamic microphones, which in our opinion are a worthy investment.
Despite the large selection of dynamic models, microphones can either similar in functionality or radically different from each other. We've created this review to help you understand the difference from model to model and choose the best dynamic microphone appropriate to your needs.
Power Source: 48V | Polar patterns: Cardioid | Connectivity: XLR Connector | Frequency response: 70 - 15000Hz
The Shure SM7B studio microphone is the best choice for recording vocals and acoustic instruments in studios. This cardioid condenser microphone features an effective diaphragm for precise sound reproduction. The cardioid pattern of this microphone is a little wider than other microphones in order to handle the high levels of acoustic vibrations. The Shure SM7B microphone is also the ideal choice for monitoring a live performance because of its exceptional noise reduction abilities.
The Shure SM7B microphone has a flat, tight, mid-range frequency response suitable for vocal recordings and music in all professional audio applications. It has excellent noise reduction capabilities thanks to the special glass envelope of the diaphragm. The SM7B also has been refined from earlier models with a new bracket design which provides increased stability. Other upgrades to the Shure SM7B microphone include an increase in slam control and an increased bandwidth. These features help to ensure that the vocalist can reproduce the tone of the bass more precisely and efficiently.
Power Source: 48V | Polar patterns: Unidirectional | Connectivity: Wired | Frequency response: 18000Hz
The Electro-Voice RE320 microphone is a versatile two-piece microphone that delivers exceptional sound reproduction. At a cardioid size, the RE 320 is very convenient to use because it's lightweight and you'll easily carry it with a backpack or carrying case. The two diaphragm assemblies feature a spring design that gives you the feeling of having your voice isolated yet connected to the music. An optimized crossover circuit takes care of the signal integrity. A professional-quality dynamic microphone ideal for both recording and sound amplification applications requiring the absolute best tonal and transient sound reproduction, the RE 320 delivers unsurpassed sound quality.
The Electro-Voice RE320 microphone is designed to capture high-resolution audio signals without the loss of high frequency energy, which is often associated with condenser microphones. With a precision-tuned crossover, the microphone renders excellent sound reproduction with high resolution even at low volumes. The high-frequency response of the RE 320 microphone is also exceptionally refined, offering superior sound quality over other microphones in its price range.
Power Source: 48V | Polar patterns: Unidirectional | Connectivity: Wired, Wireless | Frequency response: 20 - 20000Hz
The Sennheiser e935 microphone is one of the best cardioid microphones on the market today. With its super-cardioid pattern it performs exceptionally well. This is used on everything from radios to headphones. The Sennheiser e935 microphone has been known to cut through the noise produced by low end instruments like the guitar and the vocalist when recording. Most professional musicians prefer the Sennheiser e935 microphone as their primary cardioid microphone.
The e935 is a cardioid dynamic microphone, normally used in the recording industry for tracking vocals and other sounds, usually in live performances and mix sessions. The Sennheiser e935 microphone features a high & low frequency response with a frequency response that is highly refined and flat. Also, the e935 has a nice built in electronic device which automatically switches the mics on and off.
Power Source: 220V | Polar patterns: Unidirectional | Connectivity: XLR Connector | Frequency response: 70 - 15000Hz
In the Shure PGA 48 XLR mic it is possible to get three capsules instead of two. This feature gives you more options when recording, say for instance when you are singing. The three capsules control the tone and volume of the voice and give you better control than you would with two capsules. The microphone has an extremely large diaphragm that is extremely responsive, the diaphragm moves back and forth, this movement is controlled by a rotary dial, the larger the dial the higher the volume the diaphragm moves.
The cardioid pickup is another one of the main features of the Shure PGA 48 XLR microphone. This is important because it lets you get a more authentic sound than if you were recording over headphones. In addition it lets you move around more because of the cardioid pickup, you can sit back and have a conversation without disturbing anyone around you. The microphone also has a cardioid pattern which works well when recording vocals, it is also easy to clean.
Power Source: 220V | Polar patterns: Unidirectional | Connectivity: XLR Connector | Frequency response: 80Hz - 12KHz
TONOR Dynamic Microphone for Portable Recording is designed for people who love to sing but have a hard time holding themselves in tune while singing. TONOR also makes an outdoor karaoke microphone as well. It's been a while since TONOR made a portable microphone, so they have revived this one. The VOIP feature allows the user to communicate with others even though they are not singing.
The TONOR Dynamic Mic has a simple and easy to use interface, and comes with three main compartments. The front face of the microphone has three piezoelectric transducers that are sensitive to the air. They pick up the sound and send it out through the headphone jack. One can use a normal shock mount or a boom stand. The manual has a great deal of info explaining how to operate the mixer and mic. In addition, this unit can record as high as 140 decibels, which is loud enough for a person speaking at a party.
| IMAGE | NAME | FEATURES | |
|---|---|---|---|
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Shure SM7B
Our Choice
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CHECK PRICE → | |
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Electro-Voice RE320
Budget
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CHECK PRICE → | |
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Sennheiser e935
Durable
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CHECK PRICE → |
Typically, dynamic microphones are used for sound recording if the sound comes from amplifiers. Besides, they are often needed for recording loud sounds and percussion instruments, as this type perfectly captures the sounds of guitar, snare drum, or vocals. The durability of dynamic microphones is a big advantage, as they are made of sturdy materials that are virtually impossible to damage without special effort.
That is why such models can survive even during various incidents. When using the instrument, you should be close to the microphone, and also be isolated from noise and progressive sounds. Unlike dynamic microphones, which are not particularly sensitive, condenser microphones feature higher sensitivity and have a better frequency response. This affects the overall responsiveness of a microphone, which is higher for a condenser microphone than for a dynamic one. Condenser microphones are often used in studios.
Polar diagrams show how a microphone responds to sound – either blocks or accepts. When talking about the best dynamic microphone, the most popular is the cardioid pickup pattern, which blocks out sound coming from the back and sides (extraneous noise, monitors, etc.) and picks up sound appearing directly in front of the capsule.
The cardioid pattern can be of 2 types – super-cardioid and hyper-cardioid. They come with a more focused front radiation pattern, which helps reach better noise rejection but has a limited positioning.
Let's assume that the frequency response is essentially a non-adjustable default equalizer integrated into the microphone. Of course, we would like it to be as transparent and flat as possible, but this is far from the reality due to the various components that a microphone combines. Professional musicians exploit these frequency response variations by matching devices to the desired voice or instrument. Thus, if you don't want a high-pitched voice to be paired with a microphone that emphasizes high frequencies, you need a low-range model to compensate the sound.
